Paul Tingen of Sound On Sound (SOS) magazine visited four-times Grammy Award winner David Reitzas to talk about the making of Barbra Streisand’s latest hit album and the unique philosophy of the hit?making producer and engineer.
Irreplaceable and an integral part of Reitzas’ work routine – an incredible amount of SPL equipment:
“The outboard I used on the mix of ‘At The Ballet’ included the SPL Vitalizer, the SPL Stereo Q, and the Spatializer Retro on the orchestra. ”
“To bring the drums out on other songs I usually put them through the SPL Transient Designer. I print the stems one by one back into the same Pro Tools session, going through my SPL Passeq EQ and my SPL Iron Compressor. Every stem goes through that chain.” Read more